#Paul weller fat pop review tv#

If you’re not keen on the shoop-dooping gospel of Testify, with its highly funky flute, it’s gone in under three minutes. Fat Pop was almost called Greatest Hits in fact, for a laugh, conceived as a collection of quickfire singles that cover a broad range of styles but have brevity in common. At 62, when he could be repackaging his greatest hits and counting the cash, he’s obviously finding great joy in his writing and that can’t help but rub off on the rest of us. However, there’s no sense that he’s knocking out this stuff from boredom. As ever, this album sees a number of guests. “Nothing else to do, was there?” he has said of this lockdown creation, which was recorded when restrictions eased last summer. Fat Pop (Volume 1) was released just under twelve months after June 2020s magnificent, chart-topping On Sunset. Its a revelation, continuing his constant reinvention through his 45 year career. Its the Modfathers 16th solo album, or 27th if you include The Jam and The Style Council. Fat Pop arrives just 10 months after its predecessor, On Sunset, and is his fifth long player since 2015. And you can see why with Fat Pop (Vol 1). Eighteen months and two rescheduled dates later, there’s an even newer record, Fat Pop (Volume 1), represented. Ike allotment owners faced with an overabundance of courgettes, even Paul Weller’s biggest fans must be wondering what to do with all these albums. Weller should have been here in 2020, touring his then-new On Sunset album.

New West End Company BRANDPOST | PAID CONTENT.Weller seems incapable of releasing a downright bad album at the moment, but this isn’t one of his best. Fat Pop arrives just 10 months after its. ‘Glad Times’ Slow tempo, quite soulful if you have one, which I don’t. ike allotment owners faced with an overabundance of courgettes, even Paul Weller’s biggest fans must be wondering what to do with all these albums. Will be big at garden parties for Wellends. Latest album created in lockdown Fat Pop made an appearance with the title track and electro-rock-infused Cosmic Fringes, while from 2020’s On Sunset we heard Village and Rockets, mixed in with. Paul Weller Fat Pop (Volume 1) Polydor Records Paul Weller returns with Fat Pop (Volume 1), his 16th solo LP, created at his Black Barn Studio in Surrey, where he recorded the vocals, pianos and guitars, and then sent to his bandmates (drummer Ben Gordelier, guitarist Steve Cradock, and bassist Andy Crofts) for fleshing out.

#Paul weller fat pop review tv#

Elsewhere, though, too much politely slips beneath the radar: Cobweb/Connections and Shades of Blue are perfectly decent songs, but they’re also unspectacular. ‘Fat Pop’ Was quite good until he started singing/talking cockney over it ruined ‘Shades of Blue’ Plinky plonky nonsense, sounds like a kids TV programme theme tune. True, meanwhile, is route-one powerpop, and the closing Still Glides the Stream is a classy slice of stately, reflective chamber pop. The question-and-answer nature of the title track’s lyrics recall Sammy Davis Jr’s The Candy Man, which is rather at odds with the song’s spacey dub. On the taut, post-punk opener Cosmic Fringes, he sounds as if he’s channelling Baxter Dury’s sprechgesang with equal parts swagger and menace. Fat Pop (Volume 1) (2021, 38.56/110.52) /T Wild/Sunset/Fat: Polydor Live Wood/Stanley: Go Discs Heliocentric/Wake Up/Sonik: Island Illumination.

Paul Weller: ‘Music means more to me since I’ve been sober’ Fat Pop (Volume 1) – put together largely during lockdown last spring after his tour was postponed, and completed at his Surrey studio when the lifting of restrictions allowed his regular band to reconvene – finds Weller once again reining in some of his unpredictability on an album that’s ultimately more earnest than exciting. Fat Pop feels a bit different, that little bit more experimental, that little bit more challenging and definitely a whole lot more interesting Paul has. Anybody thinking that 2018’s relatively trad True Meanings marked the end of Paul Weller’s decade of untamed experimentation would have reckoned without last year’s On Sunset, which once again offered up curveballs aplenty.